Keynote panel talk at the Barbican’s ‘Dirty Weekend’ takeover

One panel member had been scared off being her real self due to the conservative push back, affecting how she ‘showed up online’ and had been forced to take twelve months out to do an art residency so that she could regain her confidence. She wanted now to make pieces (dildos?, I really don’t know) that people can really connect with. Honestly, the comedy writes itself with these people.

Meet the artist who documented her bilateral mastectomy

Garrod interjected to state that even though Top is essentially an information display, it didn’t feel cold, the artist didn’t feel absent, that you did feel the emotions and that Bowler had imbued inanimate body parts with meaning, i.e. about as arse-about-face as he could’ve got. Bowler responded that archives weren’t dead spaces, they were full of people! Why, every time she goes to Bishopsgate she’s always bumping into people!

More history revision with a trans activist …

‘I like to think of myself as a historian and I don’t feel like I’m doing history,’ Brandy told us, which turned out to be the truest thing she said. What she meant though, was that history of was repeating itself, ergo the West was repeating what happened in Germany in the 1930s all over again. Transgender issues were not new, they stretched all the way back in time. She wanted to tell a narrative story with this book and is also a fiction writer.

1 2 3 39