So we have one professional actor and two who aren’t. I’m Tired of Waiting is a reference to the NHS waiting list for treatment for gender dysphoria and Pass me the Duct Tape a reference to tucking (or binding for the teen girls in the audience, and believe me there were plenty). I guess this must be Travis’s current work in progress. Predicted crapometer rating 11/10. And thus it came to pass.
Author: theliestheytellfromtwitter
Banning Conversion Therapy and Single-Sex Space Guidance explained by Mermaids
From my original thread posted on Twitter. Mermaids Gender have held a webinar on conversion therapy on their Instagram account. Hosted by Alex Woolhouse, Mermaids
We need to talk about Owen J. Hurcum’s genitals …
They mentioned a certain wizarding franchise,
Should be ignored.
And that no one was going to see the film,
That couldn’t be mentioned.
(At the time of writing, in the second week of its release, Fantastic Beasts, had made more than $203,816,750 worldwide according to Box Office Mojo. Boy, have people ignored that film.)
‘Volatile Contexts: Identity, Technology and Politics in a Moment of Danger’
Stryker said Manning was the example of a queer trans person who had experienced the most brutal of all marginalisations. With such sophistry it is easy to forget that Manning is responsible for illegally sharing over 700,000 military documents which will have aided the West’s enemies.
The Ace Project with Stonewall and Yasmin Benoit
It was jointly hosted by Stonewall and Benoit but the platform appeared to have been Stonewall’s choosing, since Benoit told us she had never done a broadcast on TikTok before. Clearly Benoit wanted it known she was an equal in this partnership – and who could disagree?
Transpose JOY: Pit Party held at the Barbican
This ridiculously portentous short film (trailer above) opened the show. It was a mix of Islamic Koranic singing, Black Lives Matter, the necessary dose of victimisation and phoenix rising out of the ashes. Which nicely prepared us for what turned out to be a decidedly religious and po-faced 90 minute performance, despite protestations of form-breaking and counter-culture.
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