The documentary is piss poor in every sense, lack of direction, lack of interest in its subject. Absolutely no nuance. Cloying animated interlinking segments. It’s like the whole thing was put together by people wearing boxing gloves. Not to mention the unforgivable pun in the film’s title. But for all that it is still incredibly revealing. There’s no hiding the grooming, nor My Genderation’s intimate involvement in pushing Kai, and others like her, along the path of an irreversible transition.
Category: Film
Film review of ‘Orlando, My Political Biography’ with Paul B. Preciado
It was packed in the Barbican’s biggest screen, filled with lots of trans-identified females of all ages (but mostly younger) eager to see, who I guess must be a hero to them, Paul B. Preciado. Preciado is now 53 years of age but is blessed with youthful looks and an even more youthful mind (some might say adolescent, but I’ll get onto that). According to the Wikipedia entry, Paul was previously Beatriz and transitioned in 2014, i.e. aged forty-four years. An internet search for Beatriz bought up this article from 2013, from when she was on the brink of her ‘transition’, being interviewed for the book she is most famous for – Testo Junkie : Sex, Drugs and Biopolitics in the Pharmacopornographic Era.
Review of documentary: The Stroll
Prior to the viewing of the film we were treated to an excruciating presentation from the BFI Flare programmers. Diverse bunch they were too, the women all being being very young, black and ‘queer’ (if we were to go with our spidey senses alone) and the men being older, white and gay (again, spidey senses).
The outgoing director told us that the festival began 37 years ago and was called (?) Gay Zone Pictures and only nine films were screened, presumably just about gay men. For years it then became a Lesbian and Gay Film Festival, then LGB, then LGBT, until finally now it is an ‘LGBTQIA+’ festival. It is a core part of the BFI’s calendar. She thanked the sponsors, who included Campari, American Airlines (also provides the flights), Mischon de Reya (corporate law firm, I believe they also represent the Southbank in actions), PGIM (investment bank), Interbank LGBT+ Forum (financial staff network group), and special thanks went to FACTSET (data analytics corporate) for being the Festival’s ‘accessibility partner’. Just gives you that warm fuzzy feeling, dunnit?
Review of documentary: Casa Susanna
The blurby bit Sébastien Lifshitz pieces together the story of a pioneering transgender network in this inspiring and essential slice of queer history. In the
Review of ‘A Trans Masculine Moving Image Exhibit’
Content warning: Reading this may make your head explode and features descriptions of hardcore pornography. Audience was mainly young women, many on the path of
‘Trans Lives in the Seventies’
The event was part of a theme to celebrate the BBC’s birthday and to take retrospective look at how ‘trans people’ were treated in programming in the 1970s. For once, the person doing the presentation, Marcus Collins, a real historian, had done actual proper research into the film archive.
Unfortunately this didn’t extend into researching the background of his guest speaker, Morgan M. Page, of the notorious cotton ceiling workshop fame.
The Lies They Tell 
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