The book arose from ‘ethnographic* and archival research among queer-, trans people, feminists and sex workers’ and was about the ‘everyday troubles with transness in social and institutional life’ in Istanbul, Turkey, since 2016. She wanted to know how trans people dealt with such ‘state power’ in everyday negotiations. It was her claim that there were two currencies – violence and intimacy; hence ‘violent intimacies’ were an ‘entanglement’ that trans people were caught in. Therefore, the book offered a novel (i.e. stupid and cockeyed) concept and was obviously chosen in lieu of actual evidence of real violence, the traditional got-punched-in-the-face sort.
Nostalgia for the emo
Trans activist gives talk on being ’emo’ but tells bog standard transition story instead. Organisers As per usual, the Barbican hosted a trans activist on
In conversation event with ‘trans bearish man’
‘Fucking Myself Goodbye’ is the title of the last chapter. It was going to be the title of the book but she was persuaded otherwise by her publisher. Ben-Zeev did her reading, torpid prose indeed and also very confusing. Talia is the woman she wants to fuck, – as a man, as Avi. She wanted connect to the physical parts of the herself which caused her pain and self-loathing. She can’t really do this via her imagination so settles instead on finding a Talia-lookalike (another trope of AGP males, trying to imitate the women in their lives).
‘How do we win our rights?’
Podcast broadcast by Queer AF, held at Clifford Chance The blurby bit A live panel recording on “How do we win our rights?” with three
Screen talk event with makers of the film ‘Emilia Pérez’
Like most of my tweeps, this trans-identified male came to my attention following his hysterical tizzy to Cannes when he won Best Actress, in typical AGP fashion, taking the full throttle approach in an appeal for pity. You might think from watching the clip, that he would be scenery chewing in Emilia Pérez, but in fact easily manages a nuanced performance.
Review: Conclave
Contains spoilers including reference to ending.
Conclave, in addressing the Western culture war, comes down very firmly on the right side of history and serves as a reminder to dissenters that we’re on the naughty step.
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