Review of play: Looking Cis

The first fatal mistake was to have the character deride the format of reality TV shows. There were many such incongruent moments, so it’s not like we could believe for a moment that Ella was vulnerable enough to succumb to the whims of exploitative TV execs and suitably enough we learnt nothing about the recruitment process or the story leading up to such a doomed decision. So, no inciting moment then. The end plot twist revealed that she wasn’t really conducting an exit interview with Big Brother, but voicing her own thoughts to us, which could have been funny, if it hadn’t been quite so chronic.

Review of Dylan Mulvaney’s ‘FAGHAG’

If we were strictly here to review Dylan’s talents as a comedic performer, we’d probably say quite a few nice things. As we already all know, he’s the all-dancing all-singing kooky goofball. But that’s not what we’re here to talk about. We need to talk about Dylan. A man, who for fifteen minutes pretended he was transitioning, wrongly boarded a unstoppable train, which he now can’t get off. This show is a partial attempt to slow down that train so that he can jump off without breaking limbs.

‘Cancel culture’ and politics of vulnerability in queer/trans online spaces

This is the second of the IOE’s ‘Trans-inclusivity Seminar Series’ that we have attended, the other being ‘I Was a Queer Child and So Were You,’ which was exactly like it sounds. This talk, given by Dr Kata Kyrola (they/them), was far less batshit than Stockton Dean’s. Professor Martin Oliver, who told us he uses ‘he/him pronouns’, introduced the gender activist, sorry, academic, and described the seminar series as ‘just lovely’ with ‘such exciting ideas’. We’ll be the judges of that, thank you.

WHY NOT CHOP THEM OFF: an exhibition on ‘having trans-masc tits’

The exhibition

Balloons, torn paper and plastic bags in a display case. Lettered balloons on the wall which spelt out ‘squeeze me’. Some pubes in a plastic- bra and knickers hanging from a coat hanger. Photographs of the dummy Kars was to occasionally lie on during performance. Several dozen photos of the artiste topless or about to lift up her jumper (oo-er). Or sometimes taped.

Art which made us think; even we could do that.

The feminism of fools

To prove that some women and some feminists are actually indeed horrible, Lewis put up a slide which included two photos of Posie Parker (aka Kellie Jay Keen), including the time she and Julia Long confronted the HRC spokesman, Sarah McBride, in Washington DC, incorrectly stating that their trip was funded by the Heritage Foundation. (That someone could still be harping on about this very minor episode five years later is really rather petty, even Kathleen ‘they turned back feminism 20 years’ Stock stopped two years ago.) Lewis had been commissioned to write a piece about trans exclusionary radical feminists at that time, in January 2019, as Americans did not know anything about terfs, and Lewis, having lived in the UK and in the US for several years, was perfectly placed to explain to the yanks that ‘no nonsense anti-utopianism prevailed on terf island’, though ‘anti-trans feminism wasn’t universal,’ she consoled the assembled pro-trans students and academics.

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