Normally I only write about the transgender issue, but in the case of Afterlives I’ve had to make an exception, because, although it might have its heart in the right place, its head in so many wrong places, it’s mind blowing.
On a positive note, director Kevin B. Lee, chose an interesting aesthetic for the film, using his desktop to interact with film clips and his chosen talking heads, which works. What doesn’t work, however, is his piss-poor analysis of why violence indoctrinates. He starts in the right place, looking at the example of ISIS’s ‘blockbuster’ recruitment video – Flames of War – analysing it frame by frame, creating entries in a spreadsheet.
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